180° across the quilting circle from a cathartic protest art piece is a utilitarian quilt for the couch.
I love simple, repetitive blocks transformed by color, technique, or composition, into fresh or unexpected quilts.
Our local guild offered a “One Block Wonder” class last weekend, and being intrigued by the construction of a kaleidoscopic quilt from a single fabric (plus the opportunity to get out of the house and play with friends), I signed up.
In class, we prepared and cut the fabric. Donna, our teacher had a few helpful tips not in the book, such as a nice chain piecing technique.
With the bonus of having my husband home on “vacation,” I just kept the momentum going and have been sewing at home every day.
It’s so much fun to see how different the fabric looks once cut up and rearranged. It’s much more about favorite colors than the fabric design itself.
Now I have tops for two lap quilts.
I think the one above might need a large embroidery over it…
This one will eventually join the Ripple Afghan (a bit stalled out as it’s getting too warm here to enjoy much crocheting) on the couch.
When I go to the Hawai’i Quilt Guild meetings, I usually go with a friend who found me through this blog and her granddaughter who happens to live near me. The granddaughter is a high school senior and is part of her school’s culinary arts program. Their big end of year research project is to plan a wedding: create a menu that they would cater and source the food, choose linens and table decor, location, cake, price entertainment, and probably a few other things. She’s decided her project will be a morning wedding on a beach. We tossed out ideas and compared wedding stories over dinner post-meeting. I envisioned a simple, classic, tiered cake with sandy colored fondant and sugar sea shells. My friend improved on the idea with those marbled Belgian chocolate shells. This led to visions of white linens, woven mats and hurricane lamps or apothecary jars filled with sea shells (no need for candles in the morning). Red coral seemed an appropriate exotic accent in the jars, which led to orange lei for the guests as well. I was really taken by the idea of a neutral wedding with accents of orange and spent the entire next morning making an “inspiration page” of images I found on the web (I’m not posting it here since it’s for personal use and I don’t want to mess with copyright issues or trying to link to every source, but imagine sea breezes and rustic chic). As much fun as finding all the parts was, I was really liking the colors. So, I made a palette, a la Vicky. It wasn’t looking as great as the inspiration or the vision in my head and I quickly realized that the proportions were wrong. Too much orange. So, I messed around a bit more and now the palette looks like a fabulous quilt block. Too bad the wedding isn’t a real one — I could make a quilt for the happy couple.
First: I owe a huge thanks to my Technical Support department! That would be my husband who, even though he’s on the other side of the world doing far more important things, is willing to muck around in the html of my blog when I can’t figure it out on my own. I am also amazed that technology allows for him to do this kind of thing remotely and with the worst bandwidth ever. Thanks to TS&WGH (Tech Support & World’s Greatest Husband) I have now been upgraded to the newest WordPress and have a Flickr badge and cute category cloud (I’ve always wanted one of those word cloud things. Not sure why.).
I made him go through all this because I can now share stuff I have in my Flickr account since the two gifts posted there for my sister (who reads my blog) are now at her house. I’ve already shared the Wee Kitties Bowling Rainbow, and now I can share the quilt I made for my new nephew, born just last week.
His name is Tanner, which is an Anglicization of the German, Tanne, meaning Pine. Obviously, a tree quilt was in order.
This was the hint back in November, and pretty tree-like, but I REALLY wanted to make a zig zag quilt. I’m very pleased with the plain chocolate linen background paired with the bright string-pieced scraps (I chose linen because it was the only plain fabric in my stash that I had enough of).
Tanner’s Treeline ©2008 Kristin La Flamme
The linen was a little fussy to work with since it moves around a lot more than more tightly woven cotton, and I was being a bit too cavalier with it, so the finished product is a bit wonky, but I don’t think Tanner cares.