You can read the introduction to the quilt along here.
Today was the first day of class at Ho’ae’ae Park. After catching up on who was coming to class and who wasn’t and why, and comparing notes on the geographic inaccuracies of Hawaii Five-0, we got down to the real business of what fabric we needed and how much. The class supply list is basically the following:
sewing machine with universal or microtex needle size 80
thread for sewing (all purpose polyester or 100% cotton 40 or 50 weight)
clear quilting ruler)
pins (thin pins are best)
postcard or similar piece of stiff paper with a straight edge
paper foundations, 1 per block (downloadable next week)
approximately 3 yards of a solid colored fabric
a total of three yards of assorted fat quarters, quarter or eighth yards, or scraps of Aloha fabrics (or the fabrics of your choice)
cotton or low loft batting slightly larger than your quilt top
approximately 3 yards fabric for backing and binding
Because we’re focusing on using aloha prints, I decided that a solid fabric would be a nice foil to all the tropical busy-ness. My samples use chartreuse, but aqua or turquoise would work similarly. A neutral taupe, chocolate, or caffe au lait would really make the brights stand out and still tie them in to decor with lots of woods or other neutrals. Orange would make a wonderfully juicy quilt. Red looks great with aloha fabrics! White is a good option, as well as black, for a bold look.
I am excited to see what everyone brings to class next week. A crib/lap sized quilt that is 7 blocks across and 9 blocks down will need between 2.5 and 3 yards of the solid fabric. We’ll see how far we get over the next five or so weeks and then start making plans for the final size of our quilts.
Depending on whether you use your solid fabric on the horizontal and vertical logs, or on the diagonal logs will affect the balance of solid and print. Solids on the horizontal and vertical will showcase more of your scrappy print fabric, while using the solids in the diagonal pieces will give more emphasis to the solid fabric. It’s up to you which way to go. If scrappy kinda scares you, put the emphasis on your solid (second photo above). I want to emphasize the aloha prints, so I’ll use them in the diagonals (first photo above).
Of course, you don’t HAVE to use aloha prints. You could use contemporary florals from your stash, or how about shirt plaids? Deb in our class loves animal prints, so she could use a bunch of animal prints, combined with red solid for a wild quilt! (Her stash isn’t quite big enough for that though, but I’m betting that a bit of leopard sneaks into her tropical garden!) Another suggestion was japanese-esque indigos, which I know would look super classy with taupe.
Making the center of each block the same can add some spark to the quilt. I think red can stand up to just about anything. If a colorful solid for the logs of your blocks seems too much for you to live with, a bright center with a neutral (taupe, grey, chocolate, navy, etc.) for the other solid logs could be just the ticket! A half yard should be more than enough for all the centers.
So, gather your scraps, pick a solid you love, and we’ll meet next week to wrap our heads around the paper piecing process.