I love this quilt. I think it’s funny, I think it’s snarky, I think it’s topical, and I think it’s well made. I am proud of it.
So now what? As an artist I kind of feel like my work is a conversation, so it’s not really complete until someone besides me has a response to it. I very much want this giant cat to go out into the world and talk to people.
Zeitgeist is my “fan art” inspired by the Grumpy Cat internet meme. I combined the cat with the styling of Louis Wain, a Victorian era illustrator who’s large eyed cats and zany patterned backgrounds were thought to be an expression of his mental illness. To me the combination of Grumpy Cat’s pessimism and Wain’s schizophrenia perfectly expressed the current mood of the US. To embody this in a quilt large enough to wrap one’s self in further pushed the wackiness of the concept. Yes, comfort yourself with your crazy cynicism.
My first impulse was to submit it to IQF Houston’s annual World of Beauty show in 2013. The Houston show responds well to representational, bright and bold work. Besides, between Quilt Market and Quilt Festival, that’s a lot of eyes on any quilt in the show and that’s a great conversation. Unfortunately, I paid a long arm quilter to quilt Zeitgeist which means it was work for hire and thus disqualified from entering.
So, I settled for the New England Quilt Festival and Pacific International Quilt shows. They were OK, but not really who I thought my target audience was. These were, in general, not the crowd to get excited about an internet inspired, bold fabric using, subtle commentary kind of quilt. Mostly, I think people wondered if this was just a portrait of my cat.
For the sake of contrast and to introduce it to a different audience, I entered Zeitgeist into Art Quilt Elements 2013. Based on the types of work that usually get in, I was pretty amazed that the quilt was even accepted. That piece had no business being at Art Quilt Elements given what is normally accepted and awarded prizes, and yet it won Best of Show. It was the connection to current culture that spoke to the jurors. Yet I wouldn’t have guessed that it would win anything when I entered it.
All along though, I was waiting for the call for entries for the 2015 QuiltCon (biennial) show. The Modern Quilt movement that puts on the show blossomed online. It markets itself to the youthful quilter or at least the quilter with a “fresh” aesthetic. Bold prints are popular amongst many Modern Quilters. Their quilts are meant to be used, not to go on the wall — though there’s plenty that are wall sized. And while I don’t believe that Zeitgeist exemplifies Modern Quilting (and that’s why it was rejected from the Modern Quilt Showcase in Houston), I did believe that the internet surfing, meme generating, bold pattern using, hip, younger show-goers at QuiltCon would understand and appreciate my quilt. I thought that could be an audience that would get excited about it and talk with it.
I’ve been processing the rejection from QuiltCon for a few hours now, and the thing that really sticks out to me is just how hard it can be to find one’s audience. I’m not emotionally crushed, just kind of baffled as to where and how I should be showing my work in this vein. My friend Lorie tells me I’m fishing in the wrong stream. I need to look at the Art world. My work may be grounded in the quilt tradition, but the quilt tradition in any of it’s guises is not my audience. I’ve been mulling over the idea of a “Craft the Internet” show. I admit that I’m scared and apprehensive to put on a curator’s hat and do the work required to create a show, but maybe that’s the way to get my work into spaces where it can converse with an appropriate audience.