28 Sep

Too Many Quilts (6)

I’ve gotten lots of questions about my sale quilts — mostly about which others will also be for sale. So, without further ado, here are the quilts I am price cutting:

hansel-u-gretel-web

Hansel und Gretel (link to it’s own blog post HERE).

 

juni-web-lg

Juni im Rhein Neckar Kreis (link to it’s own blog post HERE). SOLD

 

fliegenpilz-i-web

Fliegenpilz I. Named after the red and white mushrooms the polka dot fabric suggests, this is yet another quilt in my Impressions of Germany series. It’s machine pieced mostly of cottons, but with a few interesting bits thrown in for texture. The work is machine quilted with hand stitched details.  At 33.5″ x 51.5” it’s made to be a wall quilt, but I think it could be fine for a lap or small child as well. I’m offering this quilt for $200, mailing included, anywhere in the US.  SOLDfliegenpilz-i-detail

Fliegenpilz I detail.

 

bauer-9-patch

This last quilt is an early one — I made it in 1997 before I discovered “art quilting.” The center is a vintage flour sack. The surrounding 9-patch blocks are reproduction fabrics. The colors coordinate with my collection of Bauer pottery. I still have most of the collection, but no longer want to use a quilt in my accompanying decor. This one is hand quilted (as were many of my early quilts) and also priced at $200, mailing included. It’s 43.25″ x 52.”

That’s it. Everything else is either sentimental, useful, or just too horrible to be seen in public! Thanks. Paypal only. Email me at umzavi(at)hotmail.com if you are interested.

 

25 Sep

Too Many Quilts (5)

“Juni im Rhen Nekar Kreis” was the first quilt I made for my “Impressions of Germany” show in Heidelberg, Germany in 2006. I love it’s combination of traditional 9-patch blocks, free-piecing, and stitched embellishment to create a landscape that is both recognizable and abstract at the same time.

juni-web-lg

As the title suggests, this quilt is what I saw in June in the Rhein-Nekar county in Germany. It represents still-green spring wheat fields edged with Flanders poppies. It’s smallish (and therefore easy to find a place for) at 30″ x 42.” I’m offering this quilt for $150, mailing included, anywhere in the US. Paypal only. Email me at umzavi(at)hotmail.com if you are interested. SOLD

21 Sep

Too Many Quilts (4)

I’m cleaning house again. This time it’s the wall quilts that I’m looking at. I built some quilt storage and still have more than I want to fill it with. My work has changed over the last decade or more (as it should) and I have many quilts that just don’t make sense for me to hold on to for exhibits or display in my home. So, I’m going to post them here at bargain basement prices.

hansel-u-gretel-web

This is “Hansel ind Gretel,” created for my solo show Impressions of Germany in 2006 and juried into Main Quiltfestival 2006 Wettbewerb “Märchenwelt” (The World of Fairy Tales). It is 29.25″ x 35. The center is has dyed cotton velvet embellished with suggestions of a magical forest with a button and pebble path. There’s even a (boiled and bleached) chicken bone should any inquisitive witches be looking for small children to eat. The backing is an adorable Japanese print with Hansel, Gretel, and forest critters of course. This would make a lovely wall hanging for a child’s bedroom, and if you buy it and remove the bone and pebbles, it would be a snuggly lap or play quilt as well. I’m offering this quilt for $150, mailing included, anywhere in the US. Paypal only. Email me at umzavi(at)hotmail.com if you are interested.

hansel-u-gretel-detail-3

10 Jul

Sisters 2016

Stitching Post

W00t! I did something totally fun and blog-worthy. At the last minute, I took the Fabric Depot bus to the Sisters Outdoor Quilt Show. It was a serendipitous combo of having the day off work and making a new friend who had an extra ticket.

Sisters is about three hours from Portland, so it was quite nice to turn over the driving (and parking) to the coach. Once at the show, I buddied up with an Instagram friend and we ended up spending the whole day together wandering from eye catching quilt to eye catching quilt. We found out that we had very similar tastes (probably why we follow each other on IG). It was a pleasure, as always when seeing exhibits of any sort with a friend, to talk about what we were seeing and why we liked (or didn’t like it). Overall SOQS is pretty traditional. This year though, Quilt Con had a special exhibit of some of it’s most favored quilts so there was definitely a big Modern influence. The Portland Modern Quilt Guild had a small exhibit too, in which my “Partisan” was hung. Interestingly, I was not that wowed by the art quilts. I think it was because most were literal and for some reason that doesn’t do much for me. SAQA’s Central Oregon pod had an exhibit of their Doors exhibit which was easily the best of the art quilts on display.

Here’s some of my favorites of the day:

Marks DisplayInside The Stitching Post, Valori Wells’ new fabric line Marks was front and center. I have a big ol’ crush on this fabric and I love this display which is chic and naive at the same time. My only purchase besides lunch was a fat quarter set of the blue color way.

Colors 2 The show organizers do a fantastic job of organizing the quilts so that they flow well together, and very often they are enhanced by the colors of the buildings on which they hang or the plantings in front of them. “Daybreak” by Marsha Savage looked particularly nice with the golden sedge grass in front of it.

ColorsA detail of “Freddy Dot Com” by Susan Brennan. This quilt looked so good with the poppies and other flowers in front of it.

 

Buscemi The green and the purple! It was a fun surprise to discover that this one in one of my favorite color combos was made by my friend robin Buscemi, who had given me the bus ticket!

Me and Petal

A big reason for going to the show (besides it being relatively close to me, and the world’s largest outdoor quilt show) was that my quilt, “Partisan,” was part of a special exhibit of The Quilt Block Abstracted by the Portland Modern Quilt Guild. Hanging next to me is “Fallen Petal” by Karen Lee.

DavidsonI’m a sucker for flying geese, so of course I like Heather Davidson’s “Two by Two Dancing Geese” which was also in the PMQG exhibit.

HobbsI also liked this variation on a Lone Star, “Carkai Quilt” by Meredith Hobbs.

 

BondSpeaking of flying geese, I’ve been drooling over this one by Sarah Bond online for what seems like ever. It absolutely holds up in person. It’s beautifully executed and even looks great hung sideways (which I didn’t even notice until a fellow traveller pointed it out to me. This quilt was one of many which represented the best of Quilt Con 2016.

Burnett Two color quilts can be so dramatic, and so classic. The gradation in this one makes it particularly attractive too. “Horseshoes and Hand Grenades” by Rebecca Burnett.  I’m pretty sure it was part of the Quilt Con exhibit too.

ParkesQuilt Con quilt “Night Flight #1” by Heidi Parkes. Big stitch hand quilting and lots of little free pieced bits made this one a lovely mix of rustic and refined.

PeakI failed to get the name or maker of this one but I was struck by the way it echoed the building on which it hung.

Tuazon I also liked “Flounce” by Melanie Tuazon

Royle We rarely get a chance to see the backs of quilts at shows, but outside, and on a breezy (becoming windy) day we caught many glimpses. The richly glowing “Embers” by Stephanie Royle uses all solids on the front but has a fun patterned fabric on the back.

 

Price “Embers” by Mary Kay Price just glowed too.

RabyAnd, in the teacher’s tent, this richly colored quilt by Pam Raby glowed due to the sun behind it. I had the chance to see this one at work and it has such delicious color without the sun, but this outdoor addition added an extra dimension.

ShawAnother teacher quilt was this cheeky “Curious Duck” by Ann Shaw. I see the influence of Ruth B McDowell, who’s work I love, especially in the bold choice of background fabric.

 

Beebe “Eichler Homes” by Mickey Beebe. I think this was part of a special exhibit of quilts using Moda fabrics. The whole quilt is made from the Grunge line, which is one of my favorite blenders. I think this design might have been too stark with simple solids, but the subtle colors in Grunge add just enough variation. I also loved all the little trees between the houses.

ModaAnother Moda quilt was this one titled “Just a Speck/Lolies.” I love that this is a Pineapple Log Cabin but the charcoal line and the fantastic circular quilting move the focus away from the center of the pineapple and out to the corners creating an unexpected secondary focus that becomes the primary.

 

Cobb This one was so simple, but so intriguing. At first I thought the floral was more concentrated in the center diagonal of the quilt, and scattered toward the edges, but it was just a trick of the effect of the turquoise blocks. The way the squares advance and recede is really fun. Plus, the quilting was simple, but perfect.

SchmidtI’ve seen versions of this X and + quilt in more Modern or novelty prints where it’s bubbly and fun. I enjoyed seeing it in mostly batiks for a slightly more grown-up look.

Cobb 2 This one, “Patches in Light” by Susan Cobb caught my eye because of it’s clever use of a Marcia Derse fabric. Usually Derse’s hand painted-looking fabrics are used more like one would use batiks. But pairing them here with a solid looking background and the navy accents (not to mention the little citron surprises) gives a much lighter, modulated look.

BlaylockFun “Dots” by Myra Blaylock. All hand appliquéd.

Fellows I love the quilting on “Love and Gillies B-17” by Colin Fellows. It so perfectly accentuates the quilt and is beautifully executed. By the way, out in the sun, quilting really shone.

Potter I liked the simplicity but intricacy of this one, “A Wink of Red” by Terry Potter.

Goose FootThere were quite a few vintage quilts, like Goose Foot from the collection of Sally Rogers. With different fabrics it could be very Modern.

Moran B There were lots of quilts by Grande Dame Freddy Moran. Most were raw edge appliqué, loosely free-motion quilted, and had barely finished edges. But they were exuberant and so obviously about the color and composition and the fabric itself (oh, the fabric! Where does she find these wild things? I want to shop with Freddy!). I could’t help but get the feeling that her quilts were saying, “Hey, I’ve been quilting forever and I’ve earned the right to do whatever the hell I want!” And I love that.

DyerAnother quilt that bucked tradition was this one coordinated by Wynde Dyer. It is made of tarp and was created by at risk youth at Caldera Art Center under Dyer’s tutelage. It was rejected by the quilt show for technical reasons (weight, materials?) but a local bookshop was kind enough to give it space.

And finally, The One That Shouldn’t Work, “Not So Lone Star” by Patrick Wilson.WilsonI just love this more is more Lone Star. I found Australian aboriginal print fabric, Erin Michaels paint by number designs, stripes, Kaffe Fasset, novelty sunflowers and more. Only the very brave would pull that variety out of their stash or a quilt shop’s shelves and know they’d work together.

Wilson det

I talked to others about whether the corner stars were necessary, or if the floral background really worked. I noted that without one or both of those elements, it would just be a classic Lone Star. There’s something about the way everything is competing and yet blending that, in my eyes, make this so striking.

 

04 Jun

Chipmunks!

I work in a quilt shop, and while I think I exercise great restraint, sometimes there are fabrics that I absolutely MUST have. Chipper by Tula Pink was one such fabric. It’s basically a collection of florals and coordinates, but in and amongst the blooms are foxes and chipmunks in psychedelic colors. Fun, but not something that the average not too Modern but not too Traditional quilter can easily imagine in a quilt.Chipmunk WIP 1

I could envision the chipmunks though in a kind of groovy, Modern take on Broderie Perse, the traditional appliqué method of taking motifs from a (usually) chintz fabric and re-arranging them to create a new and unique scene. I thought that a sample of this might get customers’ creative juices flowing too. So, I took it upon myself to buy some chipmunks and get to work.Chipmunk WIP 2

I combined several of the Chipper fabrics with other florals I had in my stash — Kaffe Fasset, some Amy Butler, and a few non-designer prints. I wanted the chipmunks to be circling something, so I made a floral poesie. It’s not as wildly weird as I had hoped, but I think it has a nice balance of Modern because of the colors, and Traditional because of the bouquet and needle turn appliqué.Chipmunk WIP 4

After finishing the Broderie Perse part, I added two scrappy borders in the same prints plus more from my stash. I had to include the ochre nuts which were part of a popular collection quite a few years ago. I plan on adding more borders Medallion style, and I think I may need another round of chipmunks, but that will have to wait. I have some other projects which need to take precedence, and this can probably go hang out at work while we still have bolts of the fabric to sell.

24 Apr

Just Checking in

So often it’s hard to blog because I’m just not sure what to blog about. For lack of any finished projects or deep thoughts, here’s a random sampling of what’s going on in my world right now.

There’s been a lot of work on our house projects, both by me and my mom and by hired pros, but nothing is quite finished yet.

Bathroom Vanity

Bathroom Vanity in progress: pro built, stained by me, I added hardware, waiting on a countertop and plumbing.

I took a block printing workshop with Valori Wells yesterday (through the Portland Modern Quilt Guild) which was lots of fun and jump started my thinking about fabric designs again.

Block Printing

I’m super happy with how these designs turned out — both from a printing standpoint, and a design standpoint.

I’m plugging away at several stitchy projects…

Project Chair

Hand stitching at the ready for quiet evenings.

… which have taken over and made more of a mess than anything else!

Project Table

Lots of work in progress on my studio table and sewing machine. Nothing worth showing yet though.

Work at The Pine Needle is excellent, and I’ve got some behind the scenes projects I’m working on with the team in preparation of summer shop hops and our Fall catalog.

The Pine Needle

This is where I work — surrounded by a wide variety of gorgeous fabrics. That yellow, teal, and maroon whirligig sample in the middle of the photo is one I made. I’m working on an asian-inspired version now.

I hope you all are knee deep in fulfilling projects too; every little bit counts, even if doesn’t seem very blog- or Instagram-worthy.

25 Feb

Too Many Quilts (3)

Who needs a baby quilt?

I made a simple, happy, baby quilt for a friend and since I was teaching basic patchwork at my local Parks and Rec in Hawaii at the time, thought it might make a good class quilt so I made a few samples. Star Baby Indigo is one of those samples. It’s a mix of printed, hand dyed, and batik cottons. Machine quilted, and very gently used. The backing is cream colored muslin. The quilt is 35″ x 50.”

Star Baby Indigo

I’m offering Star Baby Indigo for $100, anywhere in the US. Paypal only. Email me at umzavi(at)hotmail.com if you are interested. DONATED to Cares Northwest

21 Feb

Too Many Quilts (2)

Yay, Hidden Garden found a new home.

Next up is Nene. I made this quilt as a test for Sherrie Lynn Wood’s Improv Handbook for Modern Quilters. You can read my process story here. Nene didn’t make the cut, and as I look through my records, it didn’t even get added to my spreadsheet of quilts (though it did live on our sofa for a while). Poor thing. I’m obviously not giving it the love it deserves and it should go to a new home.

LaFlamme-Nene

It’s a slightly wonky 41″ x 70″ — a lap quilt for the very long-legged? Machine quilted in a geometric pattern. I’m selling Nene for the bargain basement price of $175, PayPal only. Email me at umzavi(at)hotmail.com if you are interested. Sorry, US only. SOLD, thanks!

LaFlamme-Nene detail